Kevin Whitehead
Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.
Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.
He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.
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No '60s pop composer wrote more sophisticated songs than Bacharach, who died Feb. 8. Dozens of his best songs endure for all the right reasons; they're inventive, challenging and linger in your ear.
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Schulz, who died in 2000, spoke in 1990 about his iconic Peanuts comic strip. Plus, jazz critic Kevin Whitehead talks about pianist Vince Guaraldi, who created the music for A Charlie Brown Christmas.
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Roach's album was recently named to the National Recording Registry, a roster of works deemed culturally, historically or aesthetically significant; We Insist! scores in all three categories.
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Flute player Nicole Mitchell, cellist Tomeka Reid and drummer Mike Reed all came up on Chicago's new jazz scene about 20 years ago. Now they revisit their roots on ... and then there's this.
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Earlier this year, Kevin Whitehead noted the passing of Chick Corea and Mario Pavone. Now he remembers a few more players who died in 2021, including Milford Graves, Ralph Peterson and Dave Frishberg. -
A CD set from Mosaic, full of singles and albums made between '46 and '66, confirms the variety of Armstrong's studio sides — and shows how much work went into making them sound casual.
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Coleman, who died in 2015, had a knack for writing catchy melodies in a distinctive voice. Saxophonist Miguel Zenón loves Coleman's music and put together a quartet to play some.
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Though Andra Day plays the jazz legend with conviction, The United States vs. Billie Holiday fictionalizes the particulars of Holiday's life, where the real story is dramatic enough.
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Corea, who died Feb. 9, had a strong melodic sense and a crisp, distinctive touch at the keyboard. Looking back, it's easy to hear why he was among the most beloved of modern improvising composers.
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Many jazz fans hate biopic films, but critic Kevin Whitehead likes noticing which true elements get in — or get left out — as messy lives are squeezed into stock-story formulas.
