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A new 10-part drama upends the stories of H.P. Lovecraft, presenting a narrative in which the heroes are Black, the setting is the racially divided 1950s, and each episode seems to have its own tone.

Elizabeth Olsen and Paul Bettany star as a witch and an android in the newest entry in Disney's Marvel universe. WandaVision is framed like a sitcom, but will likely get much more dramatic.

In 1968, several prominent anti-war activists were accused of conspiring to start a riot at the Democratic National Convention in Chicago. Sorkin's new film captures their infamous trial.

The hit comedy follows teenagers in a Catholic school in the 1990s. Even with The Troubles as the backdrop, it's "put Northern Ireland on the map for all the right reasons," says one Derry Girls fan.

NPR's Michel Martin speaks to the writer of the comic strip "Judge Parker," Francesco Marciuliano, about highlighting criminal justice issues in his story lines.

TV critic David Bianculli recommends new shows, including FX's Mrs. America, as well as some off-the-beaten-path viewing alternatives, like free web showings of musicals from London's West End.

Where does the term "nappy" come from and why does it have such negative connotations? Is it possible to reclaim a word that has been used as a slur for so long?

Peacock launches with thousands of hours of old programs, plus a sampling of new ones. Most of the new shows are just average — except for Intelligence and The Capture, which are worth catching.

Director Gina Prince-Bythewood knocks it out of the park with a film about soldiers who fight (and fight and fight), based on a series of comics and starring Charlize Theron as the boss.

Andy Samberg and Cristin Milioti play misfit wedding guests who are forced to repeat the same day over and over again in a fiendishly clever comedy reminiscent of Groundhog Day.