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The executive producer of HBO's new series Winning Time is known for his fourth-wall breaking, look-at-the-camera-and-explain style. That approach comes up in Super Pumped, a show he didn't make.

NPR's movie critic breaks down this morning's Oscar nominations, where "Sinners" set a record for the most nominations for a single film.

TV writer and Writers Guild of America member Jeane Phan Wong talks about what writers want and what's getting in the way.

The Writers Guild of America is on strike. NPR's A Martinez talks to Paul Hardart, professor at NYU Stern's business school, about how the content boom driven by streaming has changed the dynamics.

This week marks the 20th anniversary of one of the country’s costliest natural disasters — measured not only in dollars, but in human lives.

After six seasons of streaming, Cillian Murphy's Tommy Shelby brings his Romani family of Birmingham gangsters to the big screen.

Online fights hobbled the careers of TV host Adam Richman and shock jock Anthony Cumia. NPR's Eric Deggans says they were kneecapped by the new reality of modern media.

Juan Rendon was not a fan. Then he co-directed This Is Not a Ball, a documentary that took him to the slums of Brazil and to an amputee league in Sierra Leone.

Too busy for the mall? Online services like Stitch Fix and Trunk Club attempt to re-create personal shopping relationships of yesterday, powered by today's data analytics.

The new movie The Lost Daughter shows a side of motherhood that Hollywood doesn't often depict.