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The first fully reopened edition of TIFF concludes this weekend. But with a film industry still reeling from box office declines and changing audience habits, the award season remains in flux.

The Netflix show follows a 1980s women's wrestling circuit. Showrunner Carly Mensch says you can see wrestling as "super reductive" or see it as "storytelling at its most potently inclusive and epic."

War Machine, a Netflix production based on a book about the drawn-out U.S. military operations in Afghanistan, suffers from a one-note Brad Pitt performance and a frustrating lack of focus.

The show, which portrays a 70-year-old coming out as transgender, won two Golden Globes — the first wins for original programming by Amazon.

New episodes of Netflix's House of Cards debut today, and NPR TV critic Eric Deggans says this season's challenges may please critics who say the show's vision of Washington, D.C., runs too smoothly.

The filthy, sex-crazed animated series returns to Netflix with some new cast members, and a renewed commitment to charting — hilariously, yet sweetly — the hellish landscape of adolescence.

The Netflix adaptation of Donald Ray Pollock's novel is grim in ways that can be both exciting and wearying: so many twists and betrayals, so many awful characters, so many horrific acts of violence.

Critic John Powers recommends three stories to break up the monotony of coronavirus lockdown: Unorthodox on Netflix; Baghdad Central on Hulu and a new translation of Magda Szabó's 1970 novel Abigail.

A new, eight-part Netflix series examines the complex aftermath of the 1994 killing spree — and offers a good reminder that history is vast, messy and ever-changing.

Netflix's Orange is the New Black is back, and Laverne Cox returns to her role as transgender prisoner Sophia Burset. For Tell Me More's "In Your Ear" feature, she shares her favorite music.