Credit Juan L. Cruz / Courtesy of the Kennedy Center
Eddie Palmieri has been a force for Latin jazz since the 1950s, when he hosted the legendary mambo shows at New York's Palladium Ballroom. His groups, including the renowned La Perfecta, revolutionized Latin music in the 1960s and '70s. His records number more than 30 as a leader, and he's won nine Grammy Awards. At 76, Palmieri is still a foremost ambassador for the music he loves.
Earlier this year, the clarinetist and composer Ben Goldberg released two remarkable albums with two almost entirely different bands. Goldberg has left a mark in many modern improvising contexts, including the New Klezmer Trio he co-founded and the Tin Hat chamber ensemble.
Some music festivals are known for certain specific things; others are known for a broad assortment. The New Orleans Jazz and Heritage Festival is known for everything. The city's arms are just that wide.
On this episode of Piano Jazz, originally broadcast in 2003, alto saxophonist Phil Woods brings his quintet's rhythm section — bassist Steve Gilmore and drummer Bill Goodwin — by for a session with host Marian McPartland. Woods has been called "The New Bird," as in the heir to bop alto pioneer Charlie "Bird" Parker.
Noodling gloriously, sax men Joe Lovano and Joshua Redman feel their way into the acoustics of a new space with "Blackwell's Message," named for the irresistible drumming of Ed Blackwell, who parlayed his New Orleans parade beat all over the world. Coincidentally, New Orleans' WWOZ is providing the recording crew and a host for a live webcast and broadcast on NPR Music. We have highlights here.
Drummer Allison Miller, a go-to choice for jazz heavies and arena-level singer-songwriters alike, has made time to cultivate her own working band in the past few years. Boom Tic Boom features some of her favorite female instrumentalists in pianist Myra Melford and violinist Jenny Scheinman, as well as a long-running partner-in-crime in bassist Todd Sickafoose, and it interprets her jaunty tunes with plenty of headroom for any onomatopoeia from her percussion palette.
Ever since he started becoming one of the best alto saxophone players in the world, Miguel Zenón has drawn influence from his upbringing in Puerto Rico. Folk melodies, forms and rhythms have inspired many of his technically astounding yet immediately gratifying works. So it makes sense that he's giving back. He's launched an initiative called Caravana Cultural, presenting free jazz concerts and lectures on the island. His latest album Oye!!! was recorded live in San Juan with Puerto Rican musicians.
Originally published on Tue April 30, 2013 12:40 pm
By Howard Mandel
Credit Tim Sassoon / Courtesy of the artist
The pianist and composer John Beasley has one of the most formidable tasks of anyone associated with today's International Jazz Day, the celebration produced by UNESCO and the Thelonious Monk Institute of Jazz. He's music director of the centerpiece concert to be live-streamed from Istanbul tonight (2 p.m. ET in the U.S.).
In a small, packed Washington, D.C., living room late one December night, I heard a cacophony of horns, keys, drums and guitars that simply floored me. It was brash, zany, brainy, scary and danceable. At the end of a long year of amazing live music, this would turn out to be one of the most memorable concerts I'd seen.