Jazz

NPR Music's Tiny Desk series will celebrate Black History Month by featuring four weeks of Tiny Desk (home) concerts and playlists by Black artists spanning different genres and generations each week. The lineup includes both emerging and established artists who will be performing a Tiny Desk concert for the first time. This celebration highlights the beautiful cornucopia of Black music and our special way of presenting it. We hope you enjoy.

NPR Music's Tiny Desk series will celebrate Black History Month by featuring four weeks of Tiny Desk (home) concerts and playlists by Black artists spanning different genres and generations each week. The lineup includes both emerging and established artists who will be performing a Tiny Desk concert for the first time. This celebration highlights the beautiful cornucopia of Black music and our special way of presenting it. We hope you enjoy.

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John Coltrane composed these words in December 1964, as part of a poem he called A Love Supreme.

NPR Music's Tiny Desk series will celebrate Black History Month by featuring four weeks of Tiny Desk (home) concerts and playlists by Black artists spanning different genres and generations each week. The lineup includes both emerging and established artists who will be performing a Tiny Desk concert for the first time. This celebration highlights the beautiful cornucopia of Black music and our special way of presenting it. We hope you enjoy.

Public acknowledgment took its time finding Billy Lester. A pianist devoted to searching for a new form of modern jazz, he spent more than half a century on the outskirts of New York City, quietly honing his craft. "I just figured I'd go to my grave without any kind of recognition," he says plainly, "and I was at the point in my life where I totally accepted that."

The great South African trombonist and composer Jonas Gwangwa, who was an ambassador for his country's music around the globe and an advocate against apartheid at home, died today. Gwangwa's death was announced in a statement published on the web site of the presidency of the Republic of South Africa. He was 83 years old.

Every January, I attend globalFEST at a New York City nightclub and see some of the most fantastic music I'll experience all year. Now, given the pandemic's challenges and the hardening of international borders, NPR Music and globalFEST moved the 2021 edition from the nightclub to your screen of choice and shared the festival with the world. We called it Tiny Desk Meets globalFEST.

Every January, I attend globalFEST at a New York City nightclub and see some of the most fantastic music I'll experience all year. Now, given the pandemic's challenges and the hardening of international borders, NPR Music and globalFEST moved the 2021 edition from the nightclub to your screen of choice and shared the festival with the world. We called it Tiny Desk Meets globalFEST.

I can think of no better summation of our shared experience over the last year than "A World Lost," the title of the piece that opens Maria Schneider's Data Lords. A slow, foreboding dirge in an oblong time signature, it instantly sets a tone of somber contemplation.

If you're old enough, you might recall the comic Godfrey Cambridge from late-night television in the 1960s, when he was one of a new wave of black stand-ups (others included Bill Cosby and Dick Gregory) who, though addressing racial issues in their monologues, came up through jazz clubs and beatnik coffee houses rather than the chitlin circuit, and positioned themselves more kin to George Carlin than integration-ready offspring of Red Foxx and Moms Mabley.

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