Jazz

Here are a few indisputable truths about Andy Bey. First things first: as he approaches 80, Bey occupies the first rank of living jazz singers. He has led a circuitous career — starting out as a prodigy, slipping into obscurity, experiencing a late renaissance. And he's an original: nobody else has ever sounded quite like him and it's almost certain nobody else ever will.

Béla Fleck, the world's preeminent banjo player, and Edmar Castañeda, a peerless master of the Colombian harp, share more than a penchant to pluck magic out of strings. Both musicians are keen listeners with lightning reflexes and the ability to pounce on any digression. They're both alchemists of style, unbound by the rules of genre.

Something happens for me when I hear jazz mixing it up with Brazilian rhythms. In the right hands it falls into the realm of magic.

Pianist, multi-instrumentalist and composer Jovino Santos Neto certainly cast a spell over those who gathered for this joyful turn behind the Tiny Desk.

His trio rushed right out of the gate with the samba-influenced "Pantopé" that introduces the concept of the trio: seamless interaction between the musicians that make the band sound like one big, melodic rhythm machine.

Jazz has a glorious history, but it's also a music of boundless curiosity, brash experimentation and an ever-changing set of tools. Such is the complex landscape covered by Jazz Night in America, which curates this playlist from music heard on the show. Consider it a modern jazz survey at ground level, from stone classics to state-of-the-art jams.

I want Flying Lotus to score my reincarnation.

Saxophonist, flautist and bandleader Jane Bunnett has been traveling back and forth between her home in Toronto and Cuba for over 30 years because, well, she can.

You don't have to look far, in 2019, to encounter the mystique of trumpeter Miles Davis. This month Rhino released Rubberband, a previously unheard, posthumously refurbished pop-funk studio album recorded in 1985.

Catherine Russell On Mountain Stage

Sep 26, 2019

Making her fifth appearance on Mountain Stage since 2006, Grammy-winning vocalist Catherine Russell treated the audience to songs off her latest album, Alone Together.

The smooth, booming voice of Gregory Porter brought a galvanizing force to jazz when he broke onto the scene about a decade ago. It's a voice of exhortation, flowing out of the gospel church. A voice of dignity, in the mode of his hero, Nat King Cole. A voice of reassurance, whether aiming for the heavens or toward a single soul across the room.

For many observers of modern jazz, pianist Jason Moran became a known entity 20 years ago, with the release of his debut album. For Adrienne Edwards, curator of performance at the Whitney Museum of American Art, his name first circulated more recently, as a kind of rumor.

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