Jazz

It isn't typically news when a jazz group makes a change in personnel. But The Bad Plus isn't a typical jazz group, and its announcement, this time last year, landed like a bombshell. In short: Ethan Iverson, the band's pianist, would be leaving to pursue his own projects. Orrin Evans, an esteemed peer, would be stepping in. For a group that has always stood for musical collectivism — and never accepted any substitutions — this was a shakeup of existential proportions.

Imagine you're at a party with your most favorite music geek friends. The conversations range from favorite new albums, and favorite Smiths or Belle and Sebastian B-sides to best Neil Young guitar solos and Drake features. Then comes the big one: What was the greatest year in music? That's a question that we discuss and debate regularly in the World Cafe offices.

Last month, the National Endowment for the Arts crowned four new NEA Jazz Masters, including Todd Barkan, a jazz advocate whose early interest in Latin jazz piano turned into a successful five-decade career as a prominent impresario, club owner and record producer. Guitarist Pat Metheny continues to redefine the parameters of his instrument through innovative technique and signature sound. Pianist Joanne Brackeen's unique style commands attention, and Dianne Reeves has become one of the world's preeminent jazz vocalists, whose genius in retrospect seems ceaseless.

Eliane Elias On Piano Jazz

May 1, 2018

Brazilian pianist, composer, and vocalist Eliane Elias grew up with an affinity for both the music of her home country as well as American jazz. She got her start performing with two renowned Brazilian artists, singer-songwriter Toquinho and poet Vinicius de Moraes, before moving to New York in the 1980s, where she took the American jazz scene by storm.

This past fall, when news of the Harvey Weinstein scandal was galvanizing the #MeToo movement, some of us who work in the performing arts had a peculiar experience: Colleagues started asking if they'd sexually harassed us. A few of these colleagues may have been attempting to head off allegations, but many of them genuinely didn't know if they'd crossed a line.

Even though he's had his hand in more than 100 albums, watching Chick Corea play piano feels like seeing him fall in love with his instrument for the first time. Maybe that's why he called his latest album (a collaboration with drummer Steve Gadd) Chinese Butterfly. In Chinese symbolism, the butterfly represents the excitement and fluttering heart of young love.

Logan Richardson's latest project, Blues People, is a condition, a state of being. The album was derived from the early slave calls that inspired the earliest American jazz and blues musical traditions. Here at the Tiny Desk, the saxophonist revisits that history with four remarkable songs from the album, all performed with a hope that our country's future will be less painful than its past.

Willie Pickens On Piano Jazz

Apr 20, 2018

Piano Jazz remembers Willie Pickens (April 18, 1931 – Dec. 12, 2017), who passed away at the age of 86. A master of digital speed and harmonic sophistication, the Chicago pianist was McPartland's guest for this 1997 program.

Recorded live at the Manchester Craftsmen's Guild in Pittsburgh, the set kicks off with an improvised boogie-woogie that shows why Pickens' contemporaries revered him as "one of the foremost piano players in jazz."

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