Arts

The "Bumper Car Psychos" are easy to spot. While the other bumper cars at New Jersey's Keansburg Amusement Park spin wildly from one collision to the next, the Psychos cruise gracefully around the track, grinning from ear to ear as they slam their targets into the wall.

What do you do when, after 30 years, your husband tells you he is leaving you for someone else? If you're poet Sharon Olds, you grab your spiral-bound notebook and write about it. And though the marriage ended in 1997, she has waited 15 years to tell us about it — half as long as her marriage lasted.

Rarely will you see a film that spends as much time looking at the back of its lead's head as Children Of Sarajevo, which won a special award from the jury at Cannes earlier this year.

Half of the Pop Culture Happy Hour crew is scattered to the four winds — if, by "the four winds," you mean "an assortment of movie theaters in Toronto" — but before parting ways, the old gang met up to discuss a question that's been vexing me. What are the tipping points, I vex, that push various forms of entertainment over the line between "long enough" and "too long"?

Long before Bridesmaids convinced studio executives that a raunchy, female-centric comedy could find a huge audience, Leslye Headland was busy adapting her play Bachelorette into a movie. So this isn't a copycat rom-com, but the themes do overlap. Each film turns on a female rivalry: In Bridesmaids, it's between the maid of honor, Kristen Wiig, and the bride's rich friend, played by Rose Byrne. In Bachelorette, the rivalry is more complicated, more ... ugly. It's between the three, 30-ish, unmarried central characters and the bride.

It's perhaps a testament to my resistance to this material that I've never felt moved to read Jack Kerouac's On The Road, but I have to suspect it's better than this disappointing adaptation, or at least more interesting.

Every weekday, thousands of commuters to the nation's capital drive past the grave of a celebrated American author, and it's a good bet they don't realize it.

F. Scott Fitzgerald, the author of The Great Gatsby, was born in St. Paul, Minn.; he's associated with that city, as well as Paris, the Riviera and New York. But he's buried in Rockville, Md., outside Washington, D.C., next to a highway between strip malls and train tracks.

The story of the Arkansas murder trials of Damien Echols, Jason Baldwin, and Jessie Misskelley — the men known as the "West Memphis Three" — has already been the topic of the three well-known documentaries in the Paradise Lost series made for HBO by Joe Berlinger and Bruce Sinofsky. Those films, in fact, helped the case come to the attention of many of the people whose work ultimately resulted in the three defendants' release from prison in 2011.

[Monkey See will be at the Toronto International Film Festival through the middle of next week. We'll be bringing you our takes on films both large and small, from people both well-known and not.]

Cannibalism and comedy are strange but remarkably compatible bedfellows. Paul Bartel's cult classic Eating Raoul (1982) set the standard, lampooning prudish post-sexual-revolution values with a chaste couple whose repression leads them to murder — and eventually to serving human flesh. Bob Balaban's considerably darker 1989 Parents used it to examine the underbelly of 1950s wholesome prosperity, with wickedly funny results.