Using illegal immigration as a frame to explore the slow awakening of a tough-shelled young Texas woman, The Girl is a patient chamber piece about the emotional bruises left by poverty and neglect.
Even before we fully know her circumstances, Ashley (Abbie Cornish) introduces herself as a victim of race and class discrimination. A sullen single mother and minimum-wage drone in a south Texas supermarket, she opens the film with a request for a raise. When denied, she refuses to accept her supervisor's criticism of her attitude.
We're long past the point where, at least among half-sentient beings, we need to make a case for the intelligence and sensitivity of Marilyn Monroe. Even when cast as a dumb blonde, she was never just your stock ditzy dame: She always showed a breezy self-effacement that was too sly to be purely accidental.
And to look at her, of course, is to love her, particularly now that her sad story has become part of the cultural landscape: How can you not want to protect such beauty and vulnerability from the cruelty of the world?
The O'Haras don't talk much about what's wrong, but the members of this biracial Queens family — the central characters of Yelling to the Sky -- are bedeviled by alcoholism (dad), mental illness (mom) and adolescent defiance (the two daughters). Indeed actress-turned-director Victoria Mahoney barely explains her characters' circumstances, which makes the movie obliquely intriguing. But whenever the story comes into focus, it's revealed as fairly conventional.
2012 has been a very jittery year — what with the presidential election, extreme weather events and the looming "fiscal cliff." In response to these tense times, some readers seek out escape; others look to literature that directly confronts the atmospheric uncertainty of the age. I guess I'm in the latter camp, because many of my favorite books this year told stories, imagined and real, about ordinary people who felt like they didn't have a clue what hit 'em.
Switching gears now, the issues of Palestinians, both in the U.S. and abroad, are often in the news, but not, I think it's fair to say, because of the comedy scene, which is where Maysoon Zayid comes in.
2012 has been a jittery year, what with the presidential election, extreme weather events and, now, the looming "fiscal cliff." Not surprisingly, many of my favorite books told stories, imagined and real, about people who felt like they didn't have a clue what hit them.
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