Originally published on Fri January 25, 2013 3:26 pm
By Stephanie Zacharek
Credit Jack English / Film District
In the strictest terms, Jason Statham isn't the perfect candidate to play Parker, the single-minded career criminal created by the late Donald E. Westlake (working under the pseudonym Richard Stark). Statham, despite having built a career playing rough-and-tumble skull-busters, is just too much of a big pussycat.
As Westlake himself explained, Parker is angry: "Not hot angry — cold angry." Statham, with those inquisitive, cautious eyes and that slow-burning purr of a voice, can act cold, but he can never be cold. Even at his coolest, he's all heat.
The fact that President Obama's second inauguration took place on the same day as the Martin Luther King Jr. holiday felt right to many people, but some critics say the comparison is all wrong. Host Michel Martin and the Barbershop guys weigh in on that and other news.
Tell Me More remembers Ebony Magazine's former managing editor, Hans Massaquoi. He arrived in America as an outsider, after growing up black in Nazi Germany. Host Michel Martin speaks with his former colleague, Lynn Norment about his career and legacy.
Originally published on Tue January 29, 2013 1:22 pm
Credit Courtesy of the artist
Back in the day – the 17th century – Vermeer, Rembrandt and the rest of the Dutch Golden Age crew blazed a trail for realism in art. Their work wasn't just technically dazzling; it was also distinctive. Instead of fat baby cherubs and saints, they painted the stuff of every day life. Often, that meant food.
In their hands, grapes popped with juiciness. Lobsters steamed, ready for cracking. Milk practically splashed the viewer as it poured from the jug.
We were all struck last week by Noel Murray's A.V. Club piece "The changing face of'nerds' (and autism) in popular culture," so we spent this week's first segment talking about the separate but related matters it raises of how popular culture deals with nerds and how it deals with autism, not to mention how it deals with the messy and imprecise crossover between the two.
In the decade since Israeli director Eytan Fox made Yossi & Jagger, the precursor to his sublimely tender new drama Yossi, Israel has undergone two significant changes. A tacit and active homophobia has given way, at least in the open cultural climate of Tel Aviv, to a matter-of-fact acceptance of gay rights. At the same time, Israeli cinema has bloomed, becoming a thriving international presence in just about every genre.
Time now for a home-viewing recommendation from NPR movie critic Bob Mondello. A quiet recommendation — because Bob is touting the Ultimate Buster Keaton Collection, a 14-disc set of classic silent comedies.
Silent film had three great clowns. Charlie Chaplin's Little Tramp is the one everyone remembers; all-American daredevil Harold Lloyd is the one who made the most money; and Buster Keaton was the genius.